history fails
Apr. 27th, 2008 10:06 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
You know when someone comes into your room and you have to persuade them that you're not, really, really not trying to jump out of a third-floor window, really, you may have hit a low point in your life. (Actually, I was trying to catch a cushion I had just knocked out of it. Perfectly sensible thing to do, no I am not going crazy at all.)
Speaking of having hit a low point in my life, not only am I accumulating unhappy symptoms with a disturbing rapidity - why, hello there random tinnitus, swinging-from-hysteria-to-somnolence and jumping out of my skin at someone dropping a clove of garlic - I am reading cultural-imperialist articles on the philosophy of forgery and being encouraged by an insane classicist to use my newly-discovered heterosexuality FOR SCIENCE.
...not crazy at all.
Okay, let me backtrack. You - yes, you! - can help out not one but two nutty Oxonian finalists in their quest to retain their sanity and be awarded a degree! There are two ways in which you can do this!
First of all. I am, at the moment, revising for paper 109, Aesthetics and Philosophy of Criticism. I have many criticisms of this paper, it must be said. (Aha, see what I did there?) Most of them involve the way it's not a philosophy paper at all, it is a paper for failed literary critics. Real past questions have included: "The pointlessness of art is not the pointlessness of a game, it is the pointlessness of human life itself." Discuss and Given that horror movies frighten us, why do we go to see them? and so on.
Anyway. Yes. What is very handy for this paper is a ready stream of examples of "subversive" art. You know the sort of thing I mean. Tracy Emin's bed, Duchamp's Fountain, that kind of stuff. Of course, those are the two examples that everyone uses. I would quite like to use something the examiner hasn't heard eleventy million times before. Which is where you come in, dear flist. You all undoubtedly have better artistic taste than me. Tell me about art - things that are unusual, things that are on the boundary between art and non-art, things that a floundering philosopher might find interesting. I really would appreciate it; I'm swamped by awful aesthetics reading and nothing makes any sense.
Second of all.
apotropaios is a very dear friend of mine, he is also a finalist, he is also going somewhat crazy. In the interests of science, he has been asking everyone he knows whether they've ever had intercrural sex. (Apparently, this was a particularly well-represented sexual practice in Greek vase painting of the sixth century onwards.)
This has rapidly devolved into a horror story of soft fruit and armadae of battle penguins. However. Hilarity aside, it is a serious request. If you - or anyone you know - actually has done this, or knows anything about it, he would like to know. Comments - his, not mine - are screened, and he is actually a good human who will be respectful and discreet and indeed, very grateful for any information.
I leave you now for a return to the philosophy of mechanical reproduction. Oh my I am so very fascinating.
Speaking of having hit a low point in my life, not only am I accumulating unhappy symptoms with a disturbing rapidity - why, hello there random tinnitus, swinging-from-hysteria-to-somnolence and jumping out of my skin at someone dropping a clove of garlic - I am reading cultural-imperialist articles on the philosophy of forgery and being encouraged by an insane classicist to use my newly-discovered heterosexuality FOR SCIENCE.
...not crazy at all.
Okay, let me backtrack. You - yes, you! - can help out not one but two nutty Oxonian finalists in their quest to retain their sanity and be awarded a degree! There are two ways in which you can do this!
First of all. I am, at the moment, revising for paper 109, Aesthetics and Philosophy of Criticism. I have many criticisms of this paper, it must be said. (Aha, see what I did there?) Most of them involve the way it's not a philosophy paper at all, it is a paper for failed literary critics. Real past questions have included: "The pointlessness of art is not the pointlessness of a game, it is the pointlessness of human life itself." Discuss and Given that horror movies frighten us, why do we go to see them? and so on.
Anyway. Yes. What is very handy for this paper is a ready stream of examples of "subversive" art. You know the sort of thing I mean. Tracy Emin's bed, Duchamp's Fountain, that kind of stuff. Of course, those are the two examples that everyone uses. I would quite like to use something the examiner hasn't heard eleventy million times before. Which is where you come in, dear flist. You all undoubtedly have better artistic taste than me. Tell me about art - things that are unusual, things that are on the boundary between art and non-art, things that a floundering philosopher might find interesting. I really would appreciate it; I'm swamped by awful aesthetics reading and nothing makes any sense.
Second of all.
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
This has rapidly devolved into a horror story of soft fruit and armadae of battle penguins. However. Hilarity aside, it is a serious request. If you - or anyone you know - actually has done this, or knows anything about it, he would like to know. Comments - his, not mine - are screened, and he is actually a good human who will be respectful and discreet and indeed, very grateful for any information.
I leave you now for a return to the philosophy of mechanical reproduction. Oh my I am so very fascinating.
no subject
on 2008-04-27 10:36 pm (UTC)no subject
on 2008-05-01 01:32 pm (UTC)no subject
on 2008-04-27 10:36 pm (UTC)or was it the 80s?) not be entirely appropriate for this? More so, when it was revealed that it was a set-up?<3
no subject
on 2008-05-01 01:33 pm (UTC)no subject
on 2008-04-27 10:37 pm (UTC)no subject
on 2008-04-27 10:42 pm (UTC)no subject
on 2008-04-28 09:58 am (UTC)art vs. non-art
on 2008-04-27 10:40 pm (UTC)OH, if you want things considered to be too violent/brutal/horrific to be art, try Sarah Kane's Blasted (but, to get the point, read the first night reviews, notably Michael Billington's). Also worth reading would be the "how can you stage a 45-minute suicide note" review of 4.48 Psychosis which I think had something along the lines of "this isn't art, it's just madness".
What about art that's on the boundary between the real and the artistic? Try: plays of David Hare's e.g. The Permanent Way (all real worlds, newspaper stuff, TV interviews etc), is it art or journalism - actually, try The History Boys, comb it for all references to journalism and check out Irwin's speech at the beginning. Check out Lintott's reference to Scripps's journalism at the end and how he wants "really to write" - think about what that means.
News images - are they art always, or is it just a case of "they can be"? Could someone justify, for example, the photographs of the dying Princess Diana as "art"?
That picture of Myra Hindley made up of children's handprints. Other paintings; "Paul can you come over" (the Diana thing, can't remember who), that installation of David Beckham sleeping (was it art?).
Antony Sher did a portrait painted in oils, cocaine and his father's ashes. That's something. OH, Gilbert & George, they've done stuff.
Is any of this anything? I hope so!
Re: art vs. non-art
on 2008-04-27 10:49 pm (UTC)Re: art vs. non-art
Posted byRe: art vs. non-art
Posted byno subject
on 2008-04-27 10:43 pm (UTC)no subject
on 2008-05-01 01:37 pm (UTC)no subject
on 2008-04-27 10:47 pm (UTC)ah, yes, sorry, in retrospect this may have been why I liked it so much. I was really never any good at actual philosophy...
-----
difficult cases for definitions/ontology of art, forgery, etc:
fairy tales (not Grimm's or Andersen's, but those which are told and re-told like mythology with some necessary elements yet much wide variance). beat poetry. fan fiction. homer. found art. John Cage's 4'33" (http://en.wikipedia.org/wiki/4%E2%80%B233%E2%80%B3).
how about the "exquisite corpse" - a poem which is written, like a game of consequences, by a group of people who can only see the very last line written by the person before them?
let me know if i can dig out any notes and give any more concrete examples tailored to particular questions. mostly i focussed on ontology, forgery, and morality.
no subject
on 2008-04-27 10:52 pm (UTC)4′33" in particular is a fantastic example, thank you. I'm focusing on the definitional question, plus Aristotle, Plato and the forgery problem. Morality I found just too hard to tie together.
(no subject)
Posted by(no subject)
Posted byno subject
on 2008-04-27 10:50 pm (UTC)no subject
on 2008-05-01 01:37 pm (UTC)(no subject)
Posted byThis is my contribution, I'm afraid:
on 2008-04-27 10:54 pm (UTC)Re: This is my contribution, I'm afraid:
on 2008-04-27 11:28 pm (UTC)Re: This is my contribution, I'm afraid:
Posted byno subject
on 2008-04-27 11:37 pm (UTC)*is over-enthusiastic*
...What is going on with our overlapping papers at the moment?
no subject
on 2008-04-28 12:14 am (UTC)For the parallel case where it went wrong, Phrynichus' Fall of Miletus; it was a play about the... well, the fall of Miletus, a city of Greek culture, and a trading partner of Athens, which had not long before fallen to Persia, with much bloodshed as a result. The audience wept, so the sources record in scholia, Phrynichus was dragged before the courts, fined a HUGE amount (I forget the exact figure, but it was very high), and the play was banned from ever being reperformed.
In a twist on that, we have Aristophanes, who plays with what was banned from Greek theatre (and plenty was; it wasn't a utopia of free speech by any means). Now, 2 things you couldn't do, in particular;
i.) you can't accuse a man of throwing away his shield (ie, slander of cowardice, as he throws it to run faster)
ii.) you can't attack the dead.
So Aristophanes;
i.) puts a 'Kleonymus threw away his shield' joke in EVERY play he wrote, pretty much without exception.
ii.) Had an extended speech in the Peace, just after his enemy Kleon died, where a character goes on and on with 'And I could say he was a pathic, and a liar, and a cheat, etc etc, but of course, I won't, as he is dead'.
Then there is the odd find in a Roman villa, where a shrine to the Penates appears to show a wooden box. We don't know why. Ancient modern art, perhaps?
no subject
on 2008-04-28 06:59 am (UTC)there were miscarriages in the audience.
Really? I'm interested because that suggests that there were women in the audience--I'm sure my A-Level classics suggested that there was no evidence that anyone but men were allowed to go to the plays.
(no subject)
Posted by(no subject)
Posted by(no subject)
Posted by(no subject)
Posted byno subject
on 2008-04-28 12:24 am (UTC)When in Rome (see what I did there?), I lived for nearly a year with a group of artists and visited a range of galleries and museums. My mind was broadened somewhat, but my basic and boring preferences remain.
Having said all that, and without wishing to offend any artists, the concept of performance art as art has always seemed questionable to me. My school in Rome hosted an entire evening of performance art. I deliberately skipped one performance which came with a content warning: the guy cut himself on stage!
But I did witness a work of performance art which lasted for hours. The artist locked herself in an empty gallery all day, armed only with a pencil. The audience were allowed in for the last half hour or so; we watched her writhe in a trance around and around a central pillar, rubbing up against the pillar and making random pencil marks on the paint. And that was it! I was inordinately amused when the staff, in preparation for the next exhibition, simply painted over or erased all the pencil marks. Ephemeral art, indeed...
no subject
on 2008-05-01 01:42 pm (UTC)no subject
on 2008-04-28 01:39 am (UTC)no subject
on 2008-05-01 01:39 pm (UTC)no subject
on 2008-04-28 07:02 am (UTC)no subject
on 2008-05-01 01:40 pm (UTC)(no subject)
Posted byno subject
on 2008-04-28 08:41 am (UTC)no subject
on 2008-04-28 08:41 am (UTC)(no subject)
Posted byno subject
on 2008-04-28 08:46 am (UTC)And also: Chemicals: Fear triggers adrenalin, which triggers the body to prepare for injury and release whatever-the-natural-opiates-that-the-brain-makes-are-called. And they give us a buzz, so we do it again. So adrenalin junkies are really just junkies...
It is, it's true...
no subject
on 2008-04-28 08:58 am (UTC)Also "The Platonic Blow" is some Auden filth.
For forgery, read The Portrait of Mr W.H.
Would it be worth bringing in that discussion from Gaudy Night about the morality of the brilliant artist who paints pot-boilers?
no subject
on 2008-05-01 01:44 pm (UTC)no subject
on 2008-04-28 09:38 am (UTC)Corpus Chriti by Terence McNally is the one with Jesus being gay that I wrote my dissertation on. On a mostly unrelated note there was the David Beckham nativity art a couple of years back.
Ugh, all of these are much to vague to reference properly. One of my favourite pieces of art like this that I've ever seen involved a display at the Satchi (can't spell) gallery a few years back, where if you didn't pay enough attention to the exebition, it seemed that what was on display was a bunch of paintings by a young child who'd been abducted and killed by a pedophile. If you actually looked at the content and studied the paintings and read the stuff that came with them, the artist made it very clear that it was a fake - that they'd done all the art themselves and no children had been abducted...
Wish I could think of better examples from music. 3.44 is the obvious one, but it's also the one that anyone who knows anything about music will know about. (Interestingly, I think he won some sort of interlectual property rights case against someone else who tried to publish a piece of music which was just silence...) One thing that you get from music easily is how quickly our... artistic morality? ... changes. When Stravinsky first composed Rite of Spring it was so shocking, people rioted at the opening performance. Now, it's standard concert repetiore. Carmina Burana (Karl Orff) is all about sex, and these days people rarely notice, because it's thought of as being sensible classical repetoire.
no subject
on 2008-04-29 09:27 am (UTC)(no subject)
Posted byno subject
on 2008-04-28 10:46 am (UTC)Ulysses by James Joyce (1922), often denounced at the time as pornographic, for describing verious scenes including Leopold Bloom reading whilst defecating on the toilet, and masturbating on a beach. Now recognised as one of the greatest novels ever...
Interestingly, some years later when the Soviet Union denounced the novel as bourgeois indulgence, the US had begun allowing it again and so could claim its existence as evidence of American cultural superiority and tolerance
American Psycho by Bret Easton Ellis (1991) - Again denounced as pornographic on first publication, usually by people who read the pornographic sex scenes and grotesquely graphic violence at face value, failing to realise that it was all an extended metaphor for the mindset and behaviour of the Wall Street Yuppie. Now generally accepted in to the canon
Hope that's helpful
no subject
on 2008-04-28 12:47 pm (UTC)no subject
on 2008-04-28 10:48 am (UTC)no subject
on 2008-04-28 12:46 pm (UTC)(no subject)
Posted byEat chicken.
on 2008-04-28 12:43 pm (UTC)Medic love.
Re: Eat chicken.
on 2008-04-28 12:46 pm (UTC)