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In hindsight, it seems my November was horror-reading month. I swear, I hadn't planned it this way, but I won't complain. 

Purcell, Laura: Bone China. Bloomsbury. 2019.
I've been reading her books for a few years now, picking one up every autumn. She's a contemporary author, but she writes in the vein of gothic fiction - there are a lot of remote mansions and haunted castles in her books. Bone China features a remote manor on a cliff, an unreliable narrator and the question of what is truly happening and what is actually only taking place in the protagonist's head. Purcell is really good with the psychological horror. If that's your kind of thing you should definitely check her out.

Moreno-Garcia, Silvia: Mexican Gothic. Del Rey. 2020.
This was my first time with a novel by Moreno-Garcia. I felt that thematically, this was all over the place. Apart from the fact that it's horror it also tried to tackle themes like racism, classism, eugenics and mysoginy, but it didn't spend enough time on any of these themes to make it worthwhile. Additionally, this has a historical setting (the 1950/1960s) even though this is never fully realised and you wonder why the author chose to take this route (probably only to constantly talk about the dress the protagonist was wearing, I don't know). And when we got to the bottom of why the house was "haunted" I basically got off the plane - this is a personal thing of course, but I found this rather silly instead of terrifying. What I really liked was the gothic vibes she managed to evoke while describing the house. The atmosphere and the creepy dreams (that only get creepier as the story progresses) were my highlights.

Tremblay, Paul: Horror Movie. HarperAudio. 2024.
Tremblay simply has the best audiobook productions and this was top-notch as well. If you want to give this novel a try, do yourself a favour and consider the audiobook! I can't say that I fully bought into the "haunted set" idea and most of the characters felt flat and hardly realised, but Tremblay is really good with mixed media. There are several POVs and a screenplay in this. But the novel wasn't overly scary or frightening.

Feito, Virginia: Victorian Psycho. Audible Audio. 2025.
As a project this is very well done and successful, but as a book on its own I find it forgettable. As the title says this marries American Psycho to a Jane Eyre-like plot. The language was the most interesting thing about this, because just like in American Psycho the narration starts off very tame and proper only to get more unhinged as the story progresses. I think that progression was the highlight of the novel and very well done. On the other hand, it was riffing off what Ellis has already done decades ago, so I'm not sure how much of the credit (besides the idea of the Victorian setting) can really go to Feito. In the end, mostly a fanfiction remix even if it's executed extremely well.

Kröger, Lisa & Anderson, Melanie R.: Monster, She wrote! The Women Who Prioneered Horror and Speculative Fiction. Quirk Books. 2018.
Let's start this by saying that this is a beautifully done book. It was quite obviously typeset before the pandemic and before paper became scarce and expensive - there's a lot of free and waste of space here and it's wonderful to see a book "breathe" like that. Happens rarely enough. Sadly, this nonfiction read didn't fully give me what I had expected. Yes, I filled up my TBR because the authors truly manage to find a lot of hidden gems. But I had definitely expected more literary criticism, more in-depth analysis. In the end, this was pretty much snorkeling just below the surface.

Doerr, Anthony: Cloud Cuckoo Land. Scribner. 2021.
I only read this because Ben from Ben reads good gave this a glowing review. Half an hour into the (German) audiobook of 16 hours I thought this would be 16 hours of pure torture. In the end, it wasn't quite that bad, but I can't say that the book and I had a successful time with each other. The "hook" - the Greek epic connecting all the different timelines was as silly as the title suggests and had I known that this would fully be shouldered by kid and teenage protagonists I would have opted out before I even started. I just didn't care for any of it. Okay, that's not true. I cared for the poor beasts of burden who died somewhere in the middle - but even that was mostly the author emotionally manipulating the reader, so I don't know what to make of this.