May. 3rd, 2014

raven: [hello my name is] and a silhouette image of a raven (misc - inside the box)
So yesterday afternoon at 4pm the Big Work Project went to beta. Actually it went to editorial review, but twelve years of calling that something else die hard.

I am the project lead; it is my baby; I am exhausted. All week, I have been working around the Tube strikes, putting in some incredibly long days, doing the commute, doing the work, doing it again and over the top and over - and it was due on Tuesday, then Wednesday, and we got within five minutes of submission on Thursday before another disaster, and I didn't really think it would go off tomorrow, but it did, and I'm very happy. The next job involves my being responsible for other people, which is new in my experience - I mean, I've looked after work experience kids; not actually managed other lawyers! - but that comes later: I told my boss I would take the week off after the Bank Holiday if I did the thing, and I did the thing.

I actually think, though, that it's a break from more than just work. Fandom, too, is feeling more like work than enjoyment just recently. (I'm not sure why, or at least, I think it's a combination of reasons: at any rate, I don't think I or fandom will miss much if I'm not around for this Winter Soldier thing taking over the world! Call it a conscious decoupling.) Anyway, so not much for me from a while, I think. [personal profile] gavagai is visiting and I'm spending time with her; the Nine Worlds press do is next week; Shim and I are planning to go to the zoo (they have baby tigers at ZSL at Regent's Park); I'm going to the Blackwell's Women in SF panel at Charing Cross; everything, as ever, turns on. And I spent my whole day watching Voyager, because many things die hard.

Oh, and: I've just watching the first couple of episodes of series 2 of Shetland, the BBC's detective series set on the islands. I only tried it because of the setting - I loved Shetland and my novel-in-progress is set on Shetland circa 2050 - but it turns out to be a beautiful, haunting, atmospheric British take on the Scandinavian noir thing. I really liked it. So that's a rec.

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