Weekend to-do list

Nov. 29th, 2025 10:45 am
china_shop: An orange cartoon dog waving, with a blue-green abstract background. (Bingo!)
[personal profile] china_shop
  • Slo-Mo Rewatch post
  • Yuletide assignment draft
  • media update post (or, as I generally refer to it in my notebook: MUp)
  • attack email inbox/tabs
  • First Aid flashfic (started)
  • draw something *struggles with the urge to disclaim this to the horizon and back*


Already achieved: dishes; [community profile] fandomtrees signup submitted, tweaked, and re-tweaked (I'm not going to touch it again!) (NINE fandoms, whaaaat?).

Also, I took almost no zoo photos the other day (and none of the meerkats), but I did snap these.



Book Review: The Director

Nov. 28th, 2025 03:13 pm
osprey_archer: (art)
[personal profile] osprey_archer
Most of the time when I read book reviews in The Atlantic, I think “Mmmm, glad someone else read this so I don’t have to.” But when I read their review of Daniel Kehlmann’s The Director, I was like “I need this in my eyeballs NOW.”

The Director (translated from German by Ross Benjamin) is a novelized biography of G. W. Pabst, one of the most important directors in the post-World War I German film scene, most famous today for discovering Greta Garbo and Louise Brooks. (Diary of a Lost Girl with Louise Brooks is the one floating in my vague “I’d like to see that one day” mental cloud.)

After Hitler rose to power, Pabst left Germany and looked for work in Hollywood. He struggled to find work in America, returned to Europe not long before the outbreak of war, and ended up making films in Nazi Germany.

These are the basic outlines of Pabst’s life, and they’re a matter of historical record. From here on out, I’m going to be referring specifically to the Pabst of the book, who clearly has some points of divergence with the real Pabst. For instance: book!Pabst has a son of military age, who is clearly standing in for the experience of the Average German Youth, while the real Pabst’s baby son was born during the war.

Now clearly the central question of the book is, how do you go from hating a regime so much that you flee to another country to uneasily collaborating with it? Part of the answer being that Pabst, in his own mind, is not collaborating: he’s not making propaganda films, he’s making non-political films! And he just happens to be making them in, okay, Nazi Germany, but does making art under an evil regime necessarily make that art evil?

And, okay, yes, technically his films are funded by the Nazi film ministry because that’s the sole source of funding in Nazi Germany. But what if you’re taking the funds from the Nazi film ministry and making a film like Paracelsus, which has what might be taken as an anti-Nazi message…? The whole sequence where a madman starts dancing, and everyone else starts dancing in time with him……?

But, I mean. Is that an anti-Nazi message, or is that just Pabst fans trying to come up with a justification for why “made films for Nazi Germany” is not quite as bad as it looks?

And then you have Pabst’s next film, his lost Molander, based on a book by a Nazi party hack named Karrasch. (There’s a hilari-terrifying scene where Pabst’s wife finds herself in a book club entirely devoted to Karrasch, who sounds like Nazi Nicholas Sparks). The subject matter is foisted on Pabst, but he digs beneath the surface of the story till he can make the script his own, then heads to Prague to film it.

The city is being continually bombed, and the Soviets are getting closer every day. Pabst’s assistant Franz comments, “Don’t you find it strange, Pabst, that we’re making a movie like this in the middle of the apocalypse?”

“Times are always strange,” Pabst tells him. “Art is always out of place. Always unnecessary when it’s made. And later, when you look back, it’s the only thing that matters.”

They’re supposed to get a battalion of soldiers for extras, but the battalion is called away to the front right before they film. So - Pabst turns to the local concentration camp.

I should say that this is not a spoiler - we learn it in the first chapter - and also that Pabst’s concentration camp extras, specifically, are historical speculation. There really were directors who used concentration camp inmates as extras (famously Leni Riefenstahl), but there’s no evidence if Pabst used them in Molander, as the film really was lost. But that’s what everyone was doing to make up labor shortages. It’s plausible.

And Pabst tells his assistant, “All this madness, Franz, this diabolical madness, gives us the chance to make a great film. Without us, everything would be the same, no one would be saved, no one would be better off. And the film wouldn’t exist.”

Only in the end, the film is lost. So it doesn’t exist, after all.

Recent fanworks

Nov. 29th, 2025 08:37 am
china_shop: Close-up of Da Qing looking conspiratorial (Guardian - Da Qing conspiratorial)
[personal profile] china_shop
Wow, I haven't linked my fanworks here in over a month - and I have been writing.

Guardian
  • Additions to the episode 4 interrogation of Shen Wei
    • The Mouse and the Dragon, 1,559 words, G-rated, ep 4 missing scene, Guo Changcheng interrogates Shen Wei
    • Going Fishing - 1,180 words, G-rated, ep 4 missing scene, Da Qing interrogates Shen Wei
    • Analysis and Verification - 838 words, G-rated, ep 4 missing scene, Lin Jing and Wang Zheng stealth-interrogate Shen Wei

  • Other things
    • Bed of Purrs - Shen Wei/Zhao Yunlan & Da Qing, 2,565 words, T-rated, set in YOHE (Da Qing-centric)
    • Reasons - 100 words, G-rated, ep 5 missing scene, Shen Wei POV on moving house
    • not close enough - 300 words, G-rated, episode 6, Shen Wei timeloop feels
    • Da Qing Works - fanart of Da Qing, riffing off the DreamWorks logo, G-rated
    • Retreat - 734 words, G-rated, Da Qing, Wang Zheng, Sang Zan, random fluff with tiny crossover


Bon Appétit, Your Majesty

Definitely More of an Autumn vibe

Nov. 28th, 2025 07:23 pm
glinda: an autumnal woodland, pale blue sky visible between orange leaves (autumn leaves)
[personal profile] glinda
So, yes, I am in fact writing these out of order, but writing the last one made me think about this album and as it was also gig related I thought it was a natural companion piece to follow up with. So this album choice was a result of two different gigs. As noted previously I went to see the Scottish Ensemble and Anna Meredith doing their collaborative album Anno at the Barbican at the end of September, and then at the end of October I went to see the Scottish Ensemble here in the Inverness again. To my intense amusement, working with Anna Meredith again had clearly reminded the ensemble how much they enjoy playing her work, because the whole second half of the Inverness gig was pieces by Anna Meredith re-arranged for string ensemble. Mostly from her first electronic album Varmints - the lead violin noted with clear irony before they played Nautilus that that piece had been intended as a clear break from her previous orchestral work - and having experienced it as something akin to a transcendental experience - I virtually floated home afterwards - obviously I had to go and actually listen to the album in question.

I didn’t initially love this album, despite it being much more what I was expecting from Anna Meredith - before I encountered Anno I knew her mostly from her film scoring work - but as I’ve continued to listen to it across the last month, I’ve come to the conclusion that I like it more the further away from the gig I get. For example, I can now listen to Blackfriars and feel it’s glorious rhythms combine happily with my memories of my recent holiday in London, of standing outside Blackfriars station at rush hour, hearing bells and clocks striking all over the place, feeling the ebb and flow of traffic around me and the rumble of the tube below - I have a whole bunch of field recordings I made in and around that tube station - and think, yes, that part of London does indeed feel like that. I also feel like I’ve been able to fall in love with Nautilus and Scrimshaw all over again in their own right, without constantly comparing them negatively with their reimagined versions. (Honestly I want to hear Nautilus re-arranged for brass a la that Hannah Peel album I wrote about earlier this year.) I do think I need to go see Anna Meredith live in her own right next time she’s touring, because I think her work really lends itself to live performance, to variations on a theme and interacting with visuals and graphics, a proper multimedia experience. However, now that I’ve got enough distance from the gig, I can happily also enjoy it, lying on the sofa with low winter light and just the fairy lights on, through big headphones and let it transport me to other places.

Holiday love meme

Nov. 28th, 2025 01:33 pm
petra: Barbara Gordon smiling knowingly (Default)
[personal profile] petra
holiday love meme 2025
my thread here
umadoshi: (pumpkin pie (icons_by_mea))
[personal profile] umadoshi
A day off without sleeping in at all feels so expansive! ([personal profile] scruloose had to be out a bit early all this week, so I've been getting up a bit earlier too to do my supervision part of the clowder's breakfast routine.) But I took the day off mainly to try to get some manga work done, so going back to bed after that seemed counterproductive. Somehow it's not even 10 AM yet? Incredible. (Could I have used the sleep, though? Oh yes.)

Happy day-after-Thanksgiving to the USians* observing this emotionally-complex holiday. I enjoy the food chatter from afar. Someone on a cooking feed on Bluesky posted about doing a stuffing flight, and now I really want a stuffing flight, although the specific types they'd made didn't sing to me. ^^;

*I've been seeing the edges of Discourse about this term on Bluesky, and several people complained about the pronunciation/having no good pronunciation options, which made me realize that to me it's strictly a term for writing, not saying. It works fine visually. *shrugs*

First Yule scent of the year: But Men Loved Darkness Better Than Light (2009 vintage). I'd forgotten how much I love this one.

Last year I had a pretty good streak of wearing Weenie scents, and then in November [personal profile] scruloose's breathing was a bit rough, and we didn't think it was the BPAL, but I didn't wear any through the Christmas season. (It turned out not to be what was causing the problem, which has been IDed and dealt with.) So maybe this year. (As always, the Weenie and Yule updates tempted me dreadfully, but the added horror of current crossborder shipping gave me extra armor against getting in on a decant circle.)

I'm finally listening to the new Florence + The Machine album; listening to new music takes even longer now than it used to, and I've never been quick about listening or bonding. Given the season, after this album I'll probably switch to Christmas music while working. As long as it's good (wholly subjective, obviously, along with if you're a Christmas person and if seasonal music doesn't hit all the wrong buttons in general), Christmas music is kind of ideal for when I'm trying to just get some work done--it doesn't require the attention that beloved favorite music or new-to-me music does, even if it's not a recording I'm familiar with. Handy!

(Yesterday I deployed some for the first time this year. I didn't know Carole King had a holiday album, although it's never a surprise when a western musician does. *eyes Tori Amos holiday album* [Which I do listen to.] And now I've heard it once and never need to hear it again.)

Also on the music front, I finally cut off my Spotify subscription, and I'm trying out Qobuz after waffling between it and Deezer. Neither of them has native Linux desktop support or a Roku app, either of which would've weighted my decision significantly, and Qobuz allows you to actually buy music--apparently DRM-free, no less!--so I'm starting here.

Package-delivery updates cover such a bizarre spectrum. I currently have in my inbox: a) an update from a courier saying they've got my package and will deliver it this afternoon, with no indication of the sender, and I do not have a ship notification from anywhere that makes it obvious, so...I guess we'll see soon, and b) a Canada Post "Ship Notification for Item" (not to be confused with a "your item is out for delivery" notification) that didn't arrive in my inbox until a couple of hours after the CP person had already theoretically been by and attempted delivery. (Canada Post folks are better than others about actually attempting delivery, so I have to assume I just didn't hear the doorbell somehow, but the email timing remains bizarre.)
dolorosa_12: (sellotape)
[personal profile] dolorosa_12
December is generally a quietish month for me, and it will be even more so this year as I'm not doing any travelling over Christmas. For this reason, I thought it was an excellent opportunity to do another iteration of the December talking meme.

For those who don't know, the December talking meme involves writing posts (theoretically one per day, although in practice it tends to be less) in response to specific prompts.

That's where you come in! Please suggest topics for me to write about, and I'll assign them to a day in the list behind the cut. I'll use some of them as prompts for the remaining Fridays of the year, as well.

Available dates )

Please do also do this meme in your own journals if you have the time and interest!

102 ☆

Nov. 28th, 2025 01:18 am
tinkaton: rei | nu carnival (♥︎ researcher)
[personal profile] tinkaton
It's been faaar too long and yet here I am with only another meme. I've got a list of things I wanted to talk about and hopefully will find the motivation to write up some posts. 😭

For now just a fic meme taken from [personal profile] svgurl.

Go to your Works page on AO3, look at the tags, and see what the answers to these questions are. (Or any other site that has tags)

completely unsurprising results here )

The questions for anyone who wants to snag them:

A Fable of Summertime...

Nov. 27th, 2025 08:04 pm
glinda: a cup of coffee, with a snowflake drawn in the foam (coffee/latte)
[personal profile] glinda
Sometime this summer, I rediscovered my fic writing muse. Which has been great, but has unfortunately also meant that I’ve fallen quite behind on writing up my monthly albums - I have several months of backlog! Fortunately, I have still actually been listening to the albums and noting them down, so I’ve been able to look back at my list and write them up.

First up, we’re all the way back to the summer, for my August album, which was Fable by Ainsley Hamil. (I really thought I’d at least started this post, I definitely remember sitting down in the days after the gig with the album on and the intent to write about it. I suspect I probably started writing it into the ‘create entries’ page and lost the draft.) I mostly know Ainsley Hamil as a Gaelic singer - competed for the Gold Medal at the Mod a couple of time - and this album is split pretty evenly between songs in Gaelic and English, with a Burns number thrown in for good measure. Personally I think if we’re talking traditional Gaelic modes, she’s better suited to puirt-a-beul than the strictures of the Gold Medal - I’ve seen her do puirt live and she’s very good, it’s not easy to keep up that level of articulation at that speed especially not in the middle of a gig! She has such a rich, warm singing voice, it’s a pleasure to listen to her sing, and always so tempting when the album finishes, to just stick it on again for another play through!

Unusually, I was listening to this album extensively because I was going to a gig, rather than going to the gig because I’d been listening to the album a lot. My local art centre hosts a folk music festival in a tent on it’s lawn every summer. (Not in one intense weekend but two bands per session, two sessions a night, five nights a week across two months.) Living near by and being a regular gig go-er, I go to a lot of these sessions, sometimes with friends, sometimes alone, sometimes pre-planned, others spur of the moment because I walked past and thought ‘oh they’re good’ and stayed. The Ainsley Hamil gig was planned fairly far in advance, as a friend texted me just after the programme came out and asked if I fancied it, and as I did and it was a day I was on a helpful shift, we booked it and went. As it was her idea, and I’d agreed on the basis that I remembered what I’d heard of Hamil’s latest album being good, I thought I better swat up beforehand.

(It’s a lovely album, but gosh, live really is her forte, she was such a compelling and warm presence on stage, making her music come alive. In both Gaelic and Scots, her delivery on the album is more precise and probably more technically correct, but live she was so much more natural and felt much less constrained.)

Book Review: I Leap over the Wall

Nov. 27th, 2025 11:37 am
osprey_archer: (books)
[personal profile] osprey_archer
On one of [personal profile] troisoiseaux’s recent posts about a nun memoir, someone linked an article about a different nun memoir: Monica Baldwin’s I Leap Over the Wall: A Return to the World after Twenty-Eight Years in the Convent.

As Baldwin went into the convent in 1914 and emerged in 1941, I knew instantly that I had to read it. What an absolutely huge period of social and technological change to miss! Baldwin is astonished by modern underwear, the wireless, wartime shortages, and masses and masses of people who have become famous since she went into the convent: Greta Garbo, Picasso, D. H. Lawrence… Right up to the end of the war she keeps clanging up against her ignorance of so many things that everyone else takes totally for granted.

However, as interesting as I found all the details about social change, the parts I found most fascinating were Baldwin’s descriptions of life in the convent. I’ve read about early twentieth-century social changes before, although not quite from this angle, but the convent was totally new, in a “I wouldn’t make it five minutes as a novice” kind of way. Bells, bells, bells, ringing at intervals all day and all night, telling you to move from one occupation to another, stopping mid-stitch if that’s when the bell rings, lengthy sung prayers every day, every scrap of behavior governed by the Rule. There’s a correct way to sit, stand, eat, speak, and presumably breathe.

It’s particularly interesting because, although Baldwin left the convent, she still has faith in Catholicism and the concept of monasticism. She’s outside the convent but still “inside,” if you will, the belief system, so she’s particularly good at explaining the ideas behind an enclosed convent: humans were created to adore God and that therefore a life spent in adoring God is profoundly unselfish and also useful, because usefulness doesn’t mean first and foremost serving other people but serving God.

Unfortunately for Baldwin, most of her interlocutors aren’t willing to listen. It’s not just that they disagree (I certainly was going a bit bug-eyed over this order of priorities), but that they’re not even interested in trying to understand. And she’s never the one who brings up the whole nun business! People just tell Baldwin, the ex-nun, their opinion that nuns are selfishly hiding away in convents when they should be getting married or having families or building careers or CONTRIBUTING to the world.

Even if you think that, why would you tell this to an ex-nun unprompted? Were these people born in barns? But maybe they think that Baldwin, having left the convent, will agree.

But Baldwin does not, and she tries to explain the theory of the cloistered nun. Her interlocutors “listen” (read: sit in silence without taking any of it in) and then reiterate their original opinion.

So if Baldwin still believes, why did she leave the convent? Well, she believes in God, and Catholicism, and the concept of vocation, but has realized that she personally does not have a vocation. As she explains it, when she first decided she wanted to be a nun, she didn’t stop to ask herself if she actually had a calling. “I wanted to be a nun; it followed, therefore, as the night the day, that God must have chosen me.” (Some of my students who want to be doctors have the same attitude, insofar as you can have a thoroughly secular version of this belief.)

All through the year of her noviceship, and the five or six years of probation that followed, she continued in this willful confusion between “wanting to be a nun” and “being called to be a nun.” Only after ten years in the convent does she realize she’s made a horrible mistake.

And then she stuck it out for eighteen more years! The same pigheadedness that led her to decide wanting to be a nun meant she must have a vocation also kept her from throwing in the towel for nearly two decades after realizing she didn’t.

The tone of the book is generally pretty sprightly, a sort of quizzical madcap adventure, an Edwardian Rip Van Winkle awakens in World War II. But there is an undercurrent of tragedy, too, which sometimes breaks the surface in a brief lament. If Baldwin had left the nunnery at 31, when she realized she had no vocation, she might still have built a life for herself. But in staying so long, she missed everything: marriage and children, yes, but also the chance to build a career, or even just acquire the job skills that would suit her for any kind of war work.

As it is, she can only bumble from war job to war job. After the war she retires to a cottage in Cornwall, which is certainly a happy ending of a kind. But what a shame she didn’t change direction at once when she realized she was on the wrong path.

Happy Wanksgiving!

Nov. 27th, 2025 11:04 am
petra: Barbara Gordon smiling knowingly (Default)
[personal profile] petra
I posted 10 drabbles to the Wanksgiving fest, which is currently anonymous. If you didn't get me to write for you, and you spot something in there that you think was me, leave me a comment with an "I think you wrote this!" and a request and I will follow up with you when I am not mid-giving-thanks.

more Petrichor thoughts

Nov. 27th, 2025 12:12 am
aurumcalendula: gold, blue, orange, and purple shapes on a black background (Default)
[personal profile] aurumcalendula
Episode 7:

Read more... )

Episode 8:

Read more... )

Episode 9:

Read more... )

Episode 10:

Read more... )


Overall thoughts:

Read more... )

Insomnia

Nov. 27th, 2025 04:01 am
hunningham: Beautiful colourful pears (Default)
[personal profile] hunningham
It is half-past-three in the morning. I have washed up, dismembered a pomegranate, put yogurt in the strainer, and tidied up the kitchen. I am now sitting down with a mug of tea and biscuit.

Three things which have amused me recently:

The vet has prescribed meloxicam for my cat, to see if it improves his appetite. The box says "suitable for cats and guinea pigs" which I find hilarious for some reason. I am now referring to cat as my elongated guinea pig.

Still working on web application for my property lawyer clients. Currently dealing with processing legal documents called "Statement of Truth" and "Deed of Trust". I love the document names.

I have just bought a duvet from John Lewis. It has a 5 year guarantee - "Our guarantee provides a repair service delivered by authorised service technicians. This is available to you in the event of a breakdown of any functioning part of your product during the guarantee period." I am trying to work out how any functioning part of my duvet could break down.

Only two emotions.

Nov. 26th, 2025 09:54 pm
hannah: (James Wilson - maker unknown)
[personal profile] hannah
It's my dad's birthday this Friday. It's my family's plan to have a small get-together about it. It's been my family's plan to do it in Brooklyn with bagels and cake. It's the assumption I'll make the cake. I'm good with making the cake. I'm happy with making the cake. I'm unhappy with being told I'd make the cake without being told I was invited to the get-together. That the invitation was implicit was lost on me. Nobody told me I was invited until I was told there was an expectation I'd provide a cake.

I'm going on a hike with my parents tomorrow, and having dinner alone with them on Friday. I'm presently on the fence about a Saturday get together on the grounds that I really don't know how I'll feel about spending three consecutive days with them. I know if I don't tell them that with those specific words, in more or less that specific way, there won't be any effect on their behavior. I know that and I'm also wondering about staying quiet and observing what they say and how they act in regards to my presence as a litmus test they're not aware of. I'm fairly certain that'd backfire just as much as telling them I want to feel comfortable around them. I might go with the "not saying anything until I have no choice" strategy, or I might go with the "talk about it with someone on Friday to get my feelings out" strategy. I worry I'll have to buy more bourbon and rum in any case.

Purrcy; Turkey Day

Nov. 26th, 2025 05:26 pm
mecurtin: champagne glass and fruit, detail from Still life with champagne glass by Emilie Preyer (celebrate!)
[personal profile] mecurtin
Purrcy looks very *intent* but not necessarily *intelligent* because ... there was a MOTH! Flying much too high for him to even try grabbing, but a riveting prey item nonetheless. This was from a few weeks ago.

Purrcy the tuxedo tabby stares upward very intently, not toward the camera or human but away as if toward the ceiling. His eyes are wide and green.


Turkey day is upon us!

E&P drove down from Boston yesterday during the day yesterday, though the last part had to be in the dark because the traffic got so heavy from Danbury on, and it was raining.

I'm feeling really good about having surrendered the spatula, because the fact is I'm going through a period where I'm in pain a lot. I guess I haven't mentioned this before, but in the past month or so I've developed tendonitis in my left shoulder, the one that works the cane, and also the one that controls the mouse--because I've got such long-standing pain and weakness in the *right* hand.

The pain often (usually?) wakes me up after not-quite-enough sleep, and it really drags me down. [personal profile] elayna just mentioned Essentrics, which I can stream on NJ-PBS, and I'm going to try doing that 3 times a week and see if it helps. Otherwise I feel as though I'm gradually accumulating chronic pain vampires that are gradually sapping my ability to function. And I've got to find a way to beat them back other than "lie in bed for hours a day, under a heating blanket & cat, reading".

Menu this year, as last:

- roast spatchcocked chicken, plus turkey legs & thighs
- roasted garlic gravy
- Our Stuffing Recipe™
- roast veg, asst.
- "Indian Pudding"
- Our Cranberry Sauce™
- salad
- pumpkin pie, apple pie, whipped cream

Alas, my brother has a bad cold and won't be joining us. It's not COVID & not the flu, so there's that, but he's too snotty to travel. Since he won't be around I think I won't make turkey gumbo tomorrow, I'll just make stock, do the gumbo on Saturday.

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